Fixed Demo-End-Screen partly being hidden and blocking the host. Fixed Service Center warning about missing standalone version. Fixed parameter change range during mouse drag. Fixed clickable area size for A/B preset switch. Fixed an issue with linked parameters on RC 48. Added mouse pointer hiding when changing a parameter. Added 64-Bit AAX support for ProTools 11. RC 48 1.1: - Advanced integration in Maschine 2.0 host software. Fixed Demo-End-Screen partly being hidden and blocking the host. Native Instruments Vari Comp v1.1.0 UPDATE Native Instruments Solid Bus Comp v1.1.0 Update-R2R Native Instruments Reaktor 5 v5.9.0 UPDATE Native Instruments Guitar Rig 5 Pro v5.2.0 Update Native Instruments Solid EQ FX v1.0. Guests cannot leave comments to posts, amongst other things. Fixed clickable area size for A/B preset switch. Native Instruments VC 76 v1.1.0 Native Instruments VC 2A v1.1.0 UPDATE Native Instruments Vari Comp v1.1.0 UPDATE Native Instruments RC 24 & RC 48 v1.0.0 warning. RC 24 1.1: - Advanced integration in Maschine 2.0 host software. Both effects run as stand-alone plugins in any DAW, and integrate perfectly with MASCHINE. Whether adding depth and texture, or taking sounds out into space for sound design, the REVERB CLASSICS add their famous sonic signature to any production. ![]() This compressor is inspired by a boutique hardware unit's rich, tube-driven sound. ![]() Overview of Native Instruments Supercharger GT. This is a powerful tube compression plugin. The interface is ultra-intuitive to use, and a first-of-its kind visual display allows you to see the shape of the reverb for instant adjustments with gorgeous visual feedback. Free Download Native Instruments Supercharger GT full version standalone offline installer for Windows. Brought to life by Softube, the RC 24 and RC 48 have a lush, harmonic character that gives every mix stunning dimension. The REVERB CLASSICS faithfully recreate two renowned hall reverbs that have shaped the sound of music since the 1980s. How about EQ? Boost the bass before compression for a rhythmic pumping effect that can sound great for kick-driven music such as house or techno, or after for 'clean' bass boost without affecting the compressor's action.R2R | | 93.13 MB + 86.46 MB REVERB CLASSICS deliver the lush, dynamic sound of two of the most coveted reverb units in history – powerful additions to any production toolbox. For example, reverb placed before compression can give a source sound that 'compressed room mics' sound, whereas placing the reverb after the compression will give a less 'reactive', studio-style sound, since the reverb itself won't be compressed. The order in which other effects are placed can also make a huge difference to the results. This can be very useful in a mastering or precision mixing scenario, where you need something to sound like it hasn't been processed at all! For instance, instead of one compressor performing 4dB of gain reduction, you might use two compressors giving 2dB each. ![]() Using compressors in series also allows you to spread the workload. By using two complementary units together like this, it's possible to harness the general levelling behaviour and vibe of the first alongside the clinical peak control and clean sound of the second - great for recreating the feel of outboard gear 'in the box' while retaining the precision that modern processors are known for. A practical example would be using a slow acting compressor such as Native Instruments' Vari Comp, which is modelled on a classic valve design, followed by a more modern compressor like an SSL clone or digital compressor with lookahead.
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